Researched by Roberta Pastore
I was born in Ankara, capital city of Turkey. Due to my father’s duty, my school life has moved from city to city. I grew up alone because my mother worked and I have no brother/sister. At university I studied mathematics and then I started to work in the public institution. I tried to get my loneliness in life by getting hobbies. The most favorite of them is to play piano, archery and Argentine tango.
Going back in time how was your passion for photography born?
I think my passion started when I was very young. I had to stay alone in the house and I found my parents’ photographs; in their childhood and youth years, their engagement and wedding ceremonies, the meetings they attended, the happy times they had with relatives, and the other moments of their lives. I separated these photos by chronological or black and white tones. Without those photos, I’m sure there will be more questions about my parents’ lives than I already knew. I think photographs give clues about life that I do not know.
Considering your works, which ones marked your entrance in the world of real photography?
It’s hard to say clearly because I feel so new in photography, but my first marked entrance when I was shooting of a basketball team’s championship celebration. Photos I took were published on the Facebook page of the winning team fun club and one of these photos selected as a cover The Street Photography in the World. 3. How do you manage colour and B&W? I love my photographs more in black and white format. I always shoot my photographs in Raw format and after I use Adobe Photoshop Lightroom program for editing them.
Which kind of camera do you use?
I am using Fujifilm X100S. The ease of use made me impressed.
What determines if a photo is “good one” or not?
My approach to a photo is usually based on the effects and associations that the photo has caused to me. There are many things that make a photo “good one”; emotional impact, technical and aesthetic competence, having strong story as well as mystery it contains are effective when I make a decision.It’s a bit hard for me to say it’s not a good one. I can say it does not make any sense to me.
When you are shooting, do you have an image in your mind? Do you build the final photo before shooting it or are your images also a result of a post-production phase?
My mood when I am shooting, makes me very impress. When my mind is full of images that I want to capture, I usually do not see anything else. But generally, I usually let the street to move me, I try to feel the air and the ambiance in the street. Shooting is actually the result of the desire to transfer the image of the story in my mind that I saw on the street at the moment. I generally see the image when I am shooting sometimes as a result of a post-production.
What training did you follow? Who inspired you?
My photography adventure has begun November 2014. I attended in a small group in Izmir to take basic information about photography. I’m very impressed for the first, Vivian Maier when I saw her works and learned her life story from “Finding Vivian Maier”. Then I met my friend/my teacher Anıl Aydın by chance who is also a street photographer. He gave me a lot of support and a lot of information about technical and aesthetic aspects of photography. He won me vision and I’m grateful to him.I have special interest of Magnum photographers. I am reading Frank.Capa’s life story right now. Ara Güler is my favorite from Turkey
What was your first camera?
When I started photography, I bought second hand Nikon D 90 camera with 18-105 mm and 50 mm f1.8 lenses. I generally used my camera with 50 mm lens.
What is photography to you? And what should not be instead?
There is a method we all use to understand life, to add value to our lives and to tell ourselves. Photography is an expression for me.
What is the photo that struck you the most of a great historical photographer?
It’s really impossible for me to answer this question. There are many impressive photos and it is really hard for me to pick out one of them right now. Maybe later.
What is your favorite technique?
I don’t have a favorite technique yet. I am using manuel focus now.
Why do street photography?
Because street is live, dynamic and everything is inside. I am an office employee working for government from 8.00 to 18.00 a day for about 20 years. You never know what street photography means to me. I think, We-office workers- learn the life from movies, from images and from books. Working in a closed space drifted away me from the city and everyday life. Whereas I love to observe streets, people and their behavior, acts. Street photography makes me connect with life.
What is your best shot and what does it represent for you?
This is reminded me of this question: “If you had to go to an island and you could only take one photo which one would it be? If I had a photograph that included everything I thought or felt…
What is your relationship with the street and the people who are in your shots?
I pay attention not to make any contact with the street and the people on the street in order not to be affected. If I absolutely have to communicate, it is not difficult for me because I like to chat and share. I do not plan on the streets, how do I behave like I do.
I do not want to bother anyone on the street.