Category Archives: Books

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“An ordinary day” by Umberto Verdoliva

“An ordinary day” the new book by Umberto Verdoliva
to buy it write to photographie@umbertoverdoliva.it
Price € 20,00 plus shipping

http://www.mignon.it/an-ordinary-day-di-umberto-verdoliva/

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Format 22,5 x 21 cm – 107 pages – 88 pictures

Art direction staff: Fatima Abbadi, Ferdinando Fasolo, Giovanni Garbo, Giampaolo Romagnosi, Davide Scapin

First edition © Le Rondini

Signed by author  – ISBN: 978-88-7743-409-8

Printed in Italy by EBS Verona

Text: Giampaolo Romagnosi  – Translations: Frances Coburn

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Foreword to the book :

In his well-known essay “Before Photography” of 1981, it was the scholar Peter Galassi  who made the point that all the techniques of graphic representation were behind the  invention of photography. Not only enlargements of details and vast landscapes (like those  achievable by the photographer with a telephoto and wide-angle lens), but also panoramas  and dioramas were all classified as faithful representations of reality before the advent of the  camera.

Pictures derived from mathematical calculations to reconstruct an animal’s vision,  or botanical drawings of plants and insects enlarged under the microscope (a good example is  Robert Hooke’s “Micrographia” of 1665) were the object of study by an élite. The fundamental  element that made photography unique right from the start, distinguishing it from the other  systems of two-dimensional representation, was a question of TIME. The effect of the first  very long exposures, and the innovative INSTANT concept that arrived later on paved the way  to totally new visual solutions.

The first to realize that they could play with new possibilities  in their iconographic production were the painters. Impressionists and Macchiaioli allowed  themselves to be guided by the new photographic art through the construction of modern  forms of communication. Paradoxically, photographers and common people saw these new  images simply as errors, the offspring of an art form that was still young and in competition  with classic figurative painting.

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The experience of the Pictorialist photographic genre also  failed in its artistic intent vis-à-vis painted works. It was years before those painters’ works  and photographs imitating paintings came to be accepted, and years more before there was  any talk of a photographic genre that perfectly incarnated the quintessence of photography,  We all know that the early cameras could not record instantaneous images. But technical  advances in the photographic procedures and radical improvements to the instrument –  which became portable and available to anybody – gave rise to new photographic genres. The  names attributed to the various genres derived directly from the use made of the images. They  always tended to reiterate names and iconographic functions already existing in the world of  painting: portraits, nudes, landscapes. When, in the early 20th century, a few photographers  in journals and good-quality photography books. The street, with all its dynamism, was  accurately depicted as it was happening.

Photographers of the caliber of André Kertész,  Walker Evans, Henri Cartier Bresson, and many other great 20th-century photojournalists  have produced wonderful photographs, but it would be wrong to identify them as street  photographers. In a professional setting, many would reject this definition. It was only starting  from the 1960s, when figures such as Garry Winogrand and Lee Friedlander came to the fore,  that the general public began to understand and appreciate this type of photography, coming  to consider Street Photography as a genre in its own right. Until the advent of Internet, Street  Photography remains the prerogative of a handful of people who identify its practice with the  figure of the ‘flâneur’.  Now that Street Photography has become widely appreciated, it seems to us that the approach to this genre is rapidly shifting, departing considerably from its origins. When we began to  history of Italian, and especially of international photography. We discovered a cultured  tradition and, above all, a tradition characterized by shared values. The recent fashion that  has drawn more and more people to this genre focuses instead on aspects that are more  superficial and immediate, on achieving ‘special effects’. Sometimes the results do not  seem to stem from any real research. Umberto Verdoliva seems, to our mind, an unusual  and somewhat surprisingly positive case, considering today’s panorama, that leads us to  have faith in the future of Street Photography. That is why the Mignon group has decided  to promote his work, drawing freely from his archives and arranging his works according  to a logic that we might describe as ‘emotional’. In Umberto’s photographic eye, we see the  curiosity typical of those who – while following up their creative impulse – feel that they  still have to measure up to those who went before, to see what paths they took, and grasp  their inspiration, in the awareness that they have only to gain by doing so. In Verdoliva’s  masterly visual lucidity, consisting of many small works that are often still in progress,  we can see several aspects of our own research. In his prolific relationship with history  and the authors of the past, we capture that study on light, against the dim backdrop  of contemporary photographic production, that makes us optimistic. In his attitude to  exchanging ideas and sharing, which prompted him to found the SPONTANEA group,  we see evidence of the group spirit that has characterized and supported the evolution  of the photographic medium right from the beginning. Umberto has constructively  intercepted the best of what the new web-based of exchange and communication systems  have to offer. Above all, he is an example that draws the attention of others, proposing a  genuinely and positively authorial form of photography.

For the Mignon group, it is therefore not only a pleasure, but also an honor to present

GIAMPAOLO ROMAGNOSI

 

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Coney Island: 40 Years, 1970-2010 by Harvey Stein

‘Since 1970, when world-renowned photographer Harvey Stein first turned his discerning eye toward Coney Island, his love affair with this New York beachfront amusement park began to grow. Over 200 compelling black and white photos tell the tale of his 40-year romance with this iconic locale. Entering Coney Island through his lens is like stepping into another culture, capturing the lives and times of those who work and play there. There is a sense of adventure, a thrilling escape from daily worries, and much pleasure,…

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The Americans by Robert Frank

The Americans by Robert Frank Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The photographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial…

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Gordon Parks: Segregation Story

In September 1956, Life magazine published a photo-essay by Gordon Parks entitled “The Restraints: Open and Hidden,” which documented the everyday activities and rituals of one extended African American family living in the rural South under Jim Crow segregation. One of the most powerful photographs depicts Joanne Thornton Wilson and her niece, Shirley Anne Kirksey, standing in front of a theater in Mobile, Alabama, an image which became a forceful “weapon of choice,” as Parks would say, in the struggle against racism and segregation. While 26 photographs…

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Mario Giacomelli

Mario Giacomelli by Alistair Crawford The most comprehensive volume of the work of Italian photographer Mario Giacomelli, containing 684 beautiful duotone images, grouped into 32 carefully sequenced chapters. With an introduction by Alistair Crawford and an interview with Alessandra Mauro. Paperback: 428 pages Publisher: Phaidon Press (January 1, 2006) Language: English ISBN-10: 071484604X ISBN-13: 978-0714846040 Product Dimensions: 11.3 x 9.9 x 1.4 inches

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Martin Parr: The Non-Conformists

In 1975, fresh out of art school, Martin Parr found poor footing in the London photography scene, so he moved to the picturesque Yorkshire Pennine mill town of Hebden Bridge. Over a period of five years, he documented the town in photographs, showing in particular the aspects of traditional life that were beginning to decline. Susie Parr, whom he had met in Manchester, joined him in documenting a year in the life of a small Methodist chapel, together with its farming community. Such chapels seemed…

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Robert Capa: The Definitive Collection

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This is the first book to reproduce the definitive set of 937 rarely seen and classic images by Robert Capa (1913-54), one of the most influential documentary photographers of the twentieth century. Capa, a founding member of Magnum photographic agency, had the mind of a passionate and committed journalist and the eye of an artist. His lifework, consisting of more than 70,000 negatives, constitutes an unparalleled documentation of a crucial 22-year period (1932-54), encompassing some of the most catastrophic and dramatic events of the last century. This book represents the most definitive selection of Capa’s work ever published – 937 photographs meticulously selected by his brother Cornell Capa (himself a noted Life photographer), and his biographer, Richard Whelan. The photographs, arranged in chronological order as stories and accompanied by brief commentaries, reveal the dramatic shifts in location and subject matter that Capa experienced from day to day – from war-torn Israel to Pablo Picasso on a sunny beach in France, and from Ernest Hemingway carousing in London to Capa’s historic images of the Allied landing on Omaha Beach in Normandy in 1944.

Product details
Paperback: 572 pages
Publisher: Phaidon Press Ltd (14 Oct 2004)
Language: English
ISBN-10: 0714844497
ISBN-13: 978-0714844497
Product Dimensions: 25.3 x 25.1 x 4.4 cm

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Robert Doisneau: Paris

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Doisneaus work immortalized the magic of Paris for posterity; this stunning compact edition, edited by the artists daughters, includes over six hundred photographs. Doisneau is celebrated for his ability to infuse images of daily life with poetic nuances that have brought enduring popular appeal to his photojournalism. This collection pairs aesthetically-composed photographs alongside snapshots that offer a more personal account of Doisneaus Paris. Organized thematically, this bookunprecedented in scopegives an entrancing tour through the gardens of Paris, along the Seine, and amid the crowds of Parisians who live in and define their magical city. An enchanting cross-section of Parisian life by one of the photographers who best captured its many charms. The New York Times, 2005

  • Paperback: 400 pages
  • Publisher: Flammarion (27 Sep 2010)
  • Language: English
  • ISBN-10: 2080301179
  • ISBN-13: 978-2080301178
  • Product Dimensions: 25.9 x 19.9 x 3.3 cm