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Researched by Roberta Pastore


 When did you start a passion for the photography?

It all started long ago but I did not know it was “it”. During the1980’s  I photographed using film cameras. Even then I used towonder in the streets of Tel Aviv in search of the extraordinary andthe surreal. I then stopped and have not touched a camera for 20years until I received a digital camera  as a gift for my birthday frommy wife 4 years ago. The rest is history.



What was your first camera?

I started with Nikon D-90 and Sigma 10-20 mm lens, then I switchedto Nikon D-800 with a 24 mm prime lens. Now I am using Fuji xt1. Ibelieve that SF needs wide lens and I work only with prime lens.




 What is photography to you?

And what should not be instead? Photography for me is my way of looking at the world around me,whereby I can express my feelings and show the world from mypoint of view .

Which masters of photography inspires you ?

The most inspiring photographers for me are: Henri Cartier-Bresson, Alex Webb,  Felix Lupa,  Steve McCurry.




What is your the best shot and what does it represent for you ?

Knowing what will happen 5 minutes later. It is an adventure. I have my favorite places and I never come with the same photos. It is always different: the people, the light and shadows, the atmosphere.This is the fun part. The hard part is when I come home and try tomake a selection of the best photos. I try to make minimal editing in the post-processing stage . I can not point my finger at one specific shot. I attach a color seriesfrom my last visit to Cuba.




What is your relationship with the street and the people who are in your shots?

The street is not a studio. Sometimes I stand and wait for things toconverge – a cyclist, a dancer, a child – moving along. They are not aware that they are moving towards a certain object, but I am. Viathe camera lens I am constantly looking around me, searching forthat ‘decisive’ moment that will never return, unless I catch it. Whenpushing the button, I try to make some sense, restore order to thechaotic scheme of things in the composition. The components’speak’ with each other in a special dialogue, either by color, shape,or light. Capturing the elusive, special moment after which thingswill never be the same and making it eternal – that is my goal.Forgotten, transparent people in urban surroundings are beinggranted their moment of grace. The shadows, fragile outlines, reflections within daily lives that are not noticed in the busy and thick urban landscape and sometimes are even crushed by  it – these are precious to me.




Mario GiacomelliMario Giacomelli

Mario Giacomelli

The most comprehensive volume of the work of Italian photographer Mario Giacomelli, containing 684 beautiful duotone images, grouped into 32 carefully sequenced chapters. With an introduction by Alistair Crawford and an interview with Alessandra Mauro.

  • Paperback: 428 pages
  • Publisher: Phaidon Press (January 1, 2006)
  • Language: English
  • ISBN-10: 071484604X
  • ISBN-13: 978-0714846040
  • Product Dimensions: 11.3 x 9.9 x 1.4 inches


Researched by Amos Farnitano


Tatsuo Suzuki 1

When did you start a passion for the photography?

Since 2008

What was your first camera?

Nikon D70

Tatsuo Suzuki 2

What is photography to you? And what should not be instead?

It’s my passion, and expression of my feeling. It should not be anything instead. It speaks more than I speak.

Which masters of photography inspires you?

William Klein

Tatsuo Suzuki 3

What is the photo that struck you the most of a great photographer of the story?

Gypsy Children by Andre Kertesz.

This photo is used of cover photo of The Pop Group 2nd Album ‘How much longer’  I’m a fun of The Pop Group and Mark Stewart.    The Pop Group is music band of 80’s Punk/New Wave.

how much longer

(Cover album  “How much longer” from The Pop Group –  Author Andre Kertesz)

What is your favorite technique?

So far, technique is not so interesting for me.   More important thing is catching the Decisive Moments.   Expressing subjects humanity feelings.

Tatsuo Suzuki 4

Tatsuo Suzuki 5

Why do street photography?

People and streets fascinate me very well.  Maybe I like people and Hustle and bustle of the city.  I want to express the feeling rough the city

What is your best shot and what does it represent for you?

Best shot is my next shot.  I’m not satisfied in any way to my own photos.  I should take the better picture.  I repeat it every day.

Tatsuo Suzuki 6

Tatsuo Suzuki 8

What is your relationship with the street and the people who are in your shots?

The street and the people,this is the environment in which my life.  I like very much music,Punk Rock,Free Jazz,Avant garde,and more.  These are expression of humanity scream and beats and speeds.    I would like to express these things to my photos.  This is my goal.

Tatsuo Suzuki 7

Tatsuo Suzuki 10

You take photos into the streets of Japan, how react the subjects of your shots? Are nervous, they are complicit or indifferent?

Sometimes people smile sometimes people angry.  Kind of two ways there is an human.  I would like to be always open mind to other people though it is very difficult.

Thank You Mr. Tatsuo!

Tatsuo Suzuki 9